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Destan Episode 24 in Urdu and English Subtitles Free
Destan Episode 24 in Urdu and English Subtitles Free
Mosaics or opus tessellatum were made out of small coloured black and white marble squares about 0.5 to 1.5 centimeters in size, although even smaller pieces were used for finer details. A whole range of subjects were depicted in mosaic once again, including myths, portraits, flora and fauna, but also sports and gladiatorial games, agriculture, food and hunting were popular. Speaking of popular, the most popular and well-known Roman mosaic would have to be what is now known as the Alexander Mosaic,
which shows Alexander the Great and the Persian king Darius III during the battle of Issus and was discovered in the House of the Faun at the site of Pompeii. Another very famous Roman era mosaic is the so-called gypsy girl mosaic from Zeugma in modern-day Turkey from the 2nd century CE. We still don’t know who is depicted here but would you just look at her eyes. Mosaic artists would develop their own personal styles and production shops across the empire all held individual preferences in style and subject.
The dominant style in Roman Italy though was creating mosaics out of lots of black and white – often depicting marine motifs. These were especially prevalent in the Roman baths and looking to the East, the Roman Empire produced repeating two-dimensional motifs that created a carpet effect and which would go on to influence details in later Christian churches and Jewish synagogues. Finally, looking to the minor arts, the artists of the Roman Empire worked a lot with precious metals and crafted objects like jewellery, small gold portrait busts,
silverware, figurines, mirrors, engraved gems and seals, detailed cameos, bronze vessels, decorated pottery, coins, military uniforms and weapons, As well as the clips of their Tiro purple fabric. It was common for these movable objects to depict the Imperial Family, personal portraits, mythological scenes and geometric decoration, and above all, the silverware and carved gems were favoured and collected by those who could afford to. The Romans appreciated art for art’s sake and cultural sophistication was shown through the ownership and ability to collect art.
The Romans continued the legacy of the Greeks, but they were also innovators who produced a whole new range of architectural structures with creative designs out of new materials and with new construction techniques. Some of these innovations include basilicas, the triumphal arch, monumental aqueducts and residential housing blocks or insula. The Romans used the column orders established by the Greeks so the Doric, Ionic and Corinthian, with the Corinthian being particularly favoured by the Romans, but they did it a little longer decorative.
The Romans also combined the Ionic and the Corinthian to make the Composite Capital and adapted the Doric column into what is now known as the Tuscan column. Columns were just as popular in Rome as they were in Greece, but the Romans used them not only for structural use but for aesthetics – like the Pantheon in Rome; you could remove the columns as they would just be attached to the facade and the building would remain stable. Rome produced huge imperial bath complexes with soaring arches and domes and they basically took an idea and then pushed it to the extreme.
Related to baths, Roman aqueducts are marvels of engineering – they transported water at a slope from its source over long distances, including through hilly terrain using tunnels and bridges to ensure the water kept flowing gently downhill at all times. Roman concrete was another impressive feat, whereas modern concrete crumbles with time when exposed to water, Roman concrete became stronger and more durable and more durable; when it came in contact with water.
There are still examples of Roman concrete that barely shows Wear everything two thousand years later. Only recently, scientists figured out why this is but we’re still missing the recipe to reproduce it. Imperial patronage in the Augustine Period meant that bigger and more extravagant building projects could be undertaken in Rome and across the empire, and at this time their love of marble started to shine. The building showed Roman innovation and were a form of propaganda as these monumental buildings displayed Rome’s cultural superiority.
In 146 BCE, the first all-marble building was constructed in Rome: the Temple of Jupiter Stator, but during the empire the use of marble became widespread and often was the building material of choice.Carrara or Luna marble from Tuscany was the most commonly used marble from Italy and was readily available across the empire. There was also coloured marble available like yellow Numidian marble from North Africa and purple Phrygian from Central Turkey,
but due to costs for transportation of foreign marble was often reserved for columns and Only imperial projects. Other than marble, travertine white limestone was also readily available and its load-bearing strength made it a good substitute for marble. This limestone was often used for paving, door and window frames and steps. In the second century BCE, the Romans also used lime mortar to produce concrete, which would become widely used for foundations, walls and vaults by the first-century BCE.
As I mentioned earlier, an astounding feat of Roman architecture were their monumental aqueducts – often two or three levelled which could carry fresh water to urban centers, sometimes from many kilometers away. The earliest Roman aqueduct dates to 312 BCE – known as the Aqua Appia, but the most impressive is the Pont du Gard which was constructed in circa 14 CE.
They also constructed bridges over rivers and ravines with examples still surviving to this day including the 30 metre arches of the granite Tagus Bridge built in 106 CE. Adopted by the Christian Church but from the minds of the Romans came the basilica which were used for large gatherings, most often for law courts; they were usually built along one side of the forum and were enclosed on all sides by colonnades and the long hall was supported by columns running their length.
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